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David Bowie as Tina Turner in Labyrinth |
I’ve just finished my latest maze painting which was
triggered by a clip in HBO’s Homeland title
sequence and appealed to a personal fascination with the foliaged web after
watching the movie Labyrinth as a
child. Exhibition dates for the maze paintings will be posted soon.
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"Carrie, he's behind you!" Homeland title sequence |
So what to paint next? Well, I’m in the early stages of a new collection which has been inspired by an article I read on the artist Prunella Clough. It noted her unusual attention to aspects of urban life that are mostly overlooked but it was this line "most 20th century art ignores any direct reference to the 20th century environment, it's as if our paintings wish to be nowhere."
Wow, I was guilty of failing to recognise the 21st century in my own art practice. Ok, the time has come to approach my phobia of electrical plugs and modern city landscapes that are currently replaced with fields and blurry backgrounds.
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Prunella Clough painting those fiddly aspects of fishing life. |
Fear not surreal worlds of Salvador Dali and Rene Magritte,
I will probably return to you, but for now I must paint a collection which is
placed in this time and deals with this urban environment.
Another recent influence following a tweet on Twitter during
Trayvon Martin’s ‘Million Hoodie March’ led me to the photographer Dwayne
Rodgers and his ongoing project The Black
Vernacular - a fascinating photographic work which feeds on contributions
from the general public and real-life portraits showing the varied lifestyles
of African American lives and not just the stereotype, so I hope my sitting muses
also contribute to a documentation of London lives.
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Monica on the left - The Black Vernacular |
Final
thought: The Artist's Wardrobe
Since leaving
the 9-5 grind, something strange has happened to my sense of style and dress... it
has vanished and been replaced with a new uniform I do not understand or even want to look in the mirror at.
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